I sort of already made this public (in a late-night Facebook conversation about good-love and bad-love, or it might have been real-love and fake-love). It’s the opening number from a show I’ve been writing. There is a dramatic context to this which is revealed in between the first and second choruses of this song, so I won’t post the remainder of it here, as I don’t want to explain the whole conceit of the (as yet unfinished) show. But I think this bit stands nicely on its own. Enjoy.
Cast your magic spell right over me,
Kiss me through a veil of night,
Tell me that you want my body,
Say you’re gonna treat me right.
Drive me to the gates of Hades.
I’ll bring a lunch; I’ll meet you later on.
I’ll buy you something stupid from the gift shop
Or an homunculus to torture when I’m gone.
And when we make our vows, high on glory, just a vessel,
We’ll be dancing, we’ll be spreading fire and light.
And when we go to bed, silk and roses, sweet and holy,
Hot and sweaty, we’ll ascend into the night.
And love will make us gods inside our bodies,
And tame the very thunder-rush of time,
And solder over every long-gone heartbreak.
Oh love, my love: your body next to mine.
I’ll let you decide what type of love is going on there.
I’ve been working on an idea for an opera – well, a sung-through somewhat sui generis* piece of musical theatre. For my own purposes I’ve been building a playlist of musical inspiration. Thought I’d share it here…
*Who am I kidding? It’s Brechtian, like Brecht but… unfinished.
New sites have gone up recently for my plays Voltaire’s Meteor and Cross Road Blues. You can head over to www.voltairesmeteor.com for news about forthcoming productions of this latest wee creation of mine. And likewise you can go to www.crossroadblues.net for info about my venerable script about Robert Johnson and the devil, including a small gallery of cool Robert Johnson tattoos based on the play’s poster artwork.
I haven’t posted here at all this year, so in the interests of proving to the world that I’m not dead or critically infirm, I thought I’d write a quick update. So what have I been up to?
Well, for the first half of this year, I’ve been working on an almost complete rewrite of The Last Priest, my 2007 play about French priest Jean Meslier, who was a secret athiest, and whose posthumous Testament was an early spark of the French revolution. I finished a solid first draft mid-summer, and will soon be meeting with the original group of producers, a cast of new and old members, a new director and a team that is being assembled without my knowledge or input, but in whom I have a lot of trust.
There are no firm dates for a production yet, but there is a new title (still, perhaps, provisionally): Voltaire’s Meteor: The Midnight Zeal of Father Jean Meslier. (Voltaire described Meslier as “the most singular phenomenon ever seen among all the meteors fatal to the Christian religion.“)
I’m also currently thinking of writing a film, not about Meslier though.
Watch. This. Space.
Pleased to announce that Peter Darney will be directing the preview performances of Horses in the Rain at the Rag Factory this November.
Peter will be returning from New York where his production of Signal Failure is at the SoHo Playhouse from 8th October-16th November.
Horses in the Rain is at the Rag Factory on 7th, 8th and 9th November at 7.30pm. Tickets are available here, priced £10.
I’m very pleased to announce that my play, Horses in the Rain, is to be presented for a limited preview run at the Rag Factory off Brick Lane, London this November.
Show dates are 7th, 8th, 9th November at 7.30pm. It runs for about an hour and a half.
Tickets are available here, priced £10. Full details are on the Facebook event via the link below.
Finishing touches and final licks of paint are being applied to the all new website for my play Now is the Hour. This is a site aimed at professional, amateur and student theatre companies, so they can find out a little more about the play, download the script, and hopefully make plans to put on a production of their own, following the great success we had at the Maddermarket last year. If you’re interested, please get in touch via email@example.com.
Here she is: www.nowisthehour.co.uk
A review of the Maddermarket’s current production of Now Is The Hour in the Eastern Daily Press, by Roger Haywood.
I noticed this up on SoundCloud today. I think our producer is just using it to send the music over from Farnham, Surrey to Norwich, where the play is taking shape I expect. (I’m out of the loop, but never mind.) Still, if you’re interested, here is all the incidental music to the play Now Is The Hour, soon to be arriving at the Maddermarket Theatre, Norwich from 19th – 28th September.
The original tracks are by Spesh Maloney, with a few in there by George Lewis and Charlie Haden’s Quartet West.
Lots of stuff is happening this year, me-wise, so I thought an update here was well overdue.
The highlights at the moment are:
- 3rd August, 2pm, Cockpit Theatre, Marylebone – The first public rehearsed reading of my play North of the Sunset will take place, with Julian Joseph playing the part of Thelonious Monk, both acting and playing piano. Send me an email if you’d like to come to this one.
- 19th–28th September, Maddermarket Theatre, Norwich – The new full-length version of Now Is The Hour is getting a two-week run at the Maddermarket in Norwich. To be directed by Stu Dennison, if he makes it back from Istanbul.
- TBA, TBA – We have recruited a director for Horses in the Rain and will be agressively pitching it to theatres very soon. Watch this space…