Wanted: film producer

I am seeking a film producer to help me realise my first film. It will be a feature-length low-budget drama filmed and set in France.

Cross Road Blues, which I directed at the Hackney Empire

While I have many years’ experience in writing plays for the stage, and have directed at theatres including the Hackney Empire, I’ve no experience in film outside making short inserts used as projections within stage productions. So, I’ve decided to openly advertising my search for a producer here as an adjunt to the usual informal networking. Maybe the perfect producer is out there somewhere. Maybe it’s you.

Qualities and qualifications

I’m looking for someone with a bit of experience under their belt or someone who is very hungry to learn: who has produced a few shorts perhaps, has worked alongside a producer on a feature, or has experience already in producing low-budget features. You will be responsible for raising funding (including your own fee), recruiting the production team and working with me to organise all aspects of the production.

You can be based anywhere, but London or southern France would be  convenient.

Speaking French would be a huge plus, but it’s by no means a deal-breaker if you don’t.

The film

The film will be a feature-length drama set in the south of France, in English with a mix of British, French and Australian characters: tense, funny, psychological, tragic and redemptive. It’s got a lot of darkness in it, with personal histories scarred by loss and abuse, but also a lot of light, and love and happiness prevail for some if not all of the protagonists.

The location and some cast members are in place, and I have a solid plan to shoot in September 2018. I expect to need to raise a budget in the tens of thousands (GBP).

The script

I have a script treatment (synopsis) at the moment. The full screenplay is a work in progress. Please email me on plays@davidwalterhall.com if you’d like to see either or apply for the role.

And please share this post with anyone you know who might be interested.

Thanks.

Cast Your Magic Spell (1st chorus)

I sort of already made this public (in a late-night Facebook conversation about good-love and bad-love, or it might have been real-love and fake-love). It’s the opening number from a show I’ve been writing. There is a dramatic context to this which is revealed in between the first and second choruses of this song, so I won’t post the remainder of it here, as I don’t want to explain the whole conceit of the (as yet unfinished) show. But I think this bit stands nicely on its own. Enjoy.

Cast your magic spell right over me,
Kiss me through a veil of night,
Tell me that you want my body,
Say you’re gonna treat me right.

Drive me to the gates of Hades.
I’ll bring a lunch; I’ll meet you later on.
I’ll buy you something stupid from the gift shop
Or an homunculus to torture when I’m gone.

And when we make our vows, high on glory, just a vessel,
We’ll be dancing, we’ll be spreading fire and light.
And when we go to bed, silk and roses, sweet and holy,
Hot and sweaty, we’ll ascend into the night.

And love will make us gods inside our bodies,
And tame the very thunder-rush of time,
And solder over every long-gone heartbreak.
Oh love, my love: your body next to mine.

I’ll let you decide what type of love is going on there.

New sites for Voltaire’s Meteor and Cross Road Blues

New sites have gone up recently for my plays Voltaire’s Meteor and Cross Road Blues. You can head over to www.voltairesmeteor.com for news about forthcoming productions of this latest wee creation of mine. And likewise you can go to www.crossroadblues.net for info about my venerable script about Robert Johnson and the devil, including a small gallery of cool Robert Johnson tattoos based on the play’s poster artwork.

Jean Meslier to ride again

I haven’t posted here at all this year, so in the interests of proving to the world that I’m not dead or critically infirm, I thought I’d write a quick update. So what have I been up to?

Well, for the first half of this year, I’ve been working on an almost complete rewrite of The Last Priest, my 2007 play about French priest Jean Meslier, who was a secret athiest, and whose posthumous Testament was an early spark of the French revolution. I finished a solid first draft mid-summer, and will soon be meeting with the original group of producers, a cast of new and old members, a new director and a team that is being assembled without my knowledge or input, but in whom I have a lot of trust.

There are no firm dates for a production yet, but there is a new title (still, perhaps, provisionally): Voltaire’s Meteor: The Midnight Zeal of Father Jean Meslier. (Voltaire described Meslier as “the most singular phenomenon ever seen among all the meteors fatal to the Christian religion.“)

I’m also currently thinking of writing a film, not about Meslier though.

Watch. This. Space.

Peter Darney to direct Horses in the Rain

Pleased to announce that Peter Darney will be directing the preview performances of Horses in the Rain at the Rag Factory this November.

Peter will be returning from New York where his production of Signal Failure is at the SoHo Playhouse from 8th October-16th November.

Horses in the Rain is at the Rag Factory on 7th, 8th and 9th November at 7.30pm. Tickets are available here, priced £10.

Horses in the Rain @ the Rag Factory

I’m very pleased to announce that my play, Horses in the Rain, is to be presented for a limited preview run at the Rag Factory off Brick Lane, London this November.

Show dates are 7th, 8th, 9th November at 7.30pm. It runs for about an hour and a half.

Tickets are available here, priced £10. Full details are on the Facebook event via the link below.

New website for Now is the Hour

Finishing touches and final licks of paint are being applied to the all new website for my play Now is the Hour. This is a site aimed at professional, amateur and student theatre companies, so they can find out a little more about the play, download the script, and hopefully make plans to put on a production of their own, following the great success we had at the Maddermarket last year. If you’re interested, please get in touch via production@nowisthehour.co.uk.

Here she is: www.nowisthehour.co.uk

Click to view the site

Now Is The Hour music

I noticed this up on SoundCloud today. I think our producer is just using it to send the music over from Farnham, Surrey to Norwich, where the play is taking shape I expect. (I’m out of the loop, but never mind.) Still, if you’re interested, here is all the incidental music to the play Now Is The Hour, soon to be arriving at the Maddermarket Theatre, Norwich from 19th – 28th September.

The original tracks are by Spesh Maloney, with a few in there by George Lewis and Charlie Haden’s Quartet West.